FOREWORD
Russell Warren-Fisher
Mark Wilson

DIGITAL PRINTING –
AN ANALOGUE PROCESS
Malcom Clarke

WHERE IS THE DOT?
AN ANALOGUE TRANSLATION
Malcom Clarke

HUMAN INTERVENTION –
CRAFTING AGAINST THE DEFAULTS
Malcom Clarke

IN MY HANDS,
IN MY EYES –
AN EMOTIONAL EXPERIENCE
OF AN OBJECT
Sara Carneholm

THE SOCIAL LIFE OF DIGITAL PRINT
Leah Harrison Bailey

IMAGES OF THE UNSEEN
IMAGE CAPTURE OR IMAGE CONTROL
Russell Warren-Fisher

A DAY IN THE LIFE OF THE DEAD
DRAWING WITH ZEROS & ONES
Russell Warren-Fisher

POD VS WEAPONS OF MASS-PRODUCTION
PRINTING ON THE HP INDIGO 3050
Russell Warren-Fisher
Sandro, Mark Atkins, Francoise Lacroix,
Chris Bigg & Vaughan Oliver.

TEXTURE OF CHANCE
HUMANISING THE MACHINE
Leah Harrison Bailey &
Sara Carneholm

A PRIVATE PRESS
THE MAKING OF ‘WALKS WITH COLOUR’
Malcom Clarke / Dan Fern

APPENDICES
FURTHER READING
ACKNOWLEDGMENTS